African American Art & Artifacts

Mary Parks Washington, "Progress in Education," 1996, acrylic on wood figures 1 1/4 to 5 3/4 inches

Today’s post is about opportunities the AARL has as a result of a National Endowment for the Humanities (NEH) Preservation Assistance Grant. NEH support will enable AARL staff to provide optimum care and access for one its fastest growing collections, Arts and Artifacts (AA), through consultation services provided by two art conservators. The goals of the project, which is currently underway, include:

1.  Assess current conditions of the individual items included in the AA collection.

2.  Obtain recommendations for the care, conservation, and storage of the collection.

3.  Incorporate recommendations in AARL’s renovation and expansion project plans.

4.  Increase awareness and skill level of Archives staff in the identification of conservation needs for artwork on paper.

Pictured above is Progress in Education, a series of nesting dolls in the style of Russian matryoshkas, one of the items examined for the grant. It was created by Mary Parks Washington, a native Atlantan educator and artist, whose work and background have been featured in this blog. Washington benefitted from higher education despite the racist policies and practices of her time. Progress in Education shows in visual form the increased opportunities available to African American students following abolition.

Washington’s example follows some aspects of the traditional Russian model; it has five figures, all on the same theme (in this case, people representing stages of African American education after emancipation). It does not feature a woman, as do most traditional matryoshkas. Generally, matryoshkas portray the innermost figure as a small child, infant, or earliest point in a chronological period. Washington’s example matches this, with the smallest doll as a grade school student. As the dolls grow larger in size, they represent achievement of educational degrees with higher esteem (high school, college, master’s level graduate work, and finally doctoral level graduate work).

The work of Washington and other artists in the AA collection is used by patrons for research, as well was AARL staff for educational outreach activities, including exhibitions and donor development. As planning begins for the expansion and renovation of our current building, the conservators’ assessment will help guide architects’ designs for space, housing, and environmental needs of the collection. Furthermore, the assessment will provide direction for the collection's overall growth and care.

Posted by Jessica Epstein, AARL Intern

(Public) Humanities + Archives = Activating the Cultural Footprint

I recently finished a ten-week internship in the Archives Division at the Auburn Avenue Research Library as part of my master’s program in Public Humanities at Brown University. I am frequently asked about public humanities and its relationship to the work of archives.

The humanities are comprised of subject areas that analyze, interpret, and reflect on the human condition. According to the 1965 legislative act that created the National Endowment for the Humanities, the humanities are “branches of scholarly and cultural activity … [that help us] achieve a better understanding of the past, a better analysis of the present, and a better view of the future.” These include the fields of anthropology, archaeology, art history and theory, ethics, history, language, literature, jurisprudence, philosophy, and religion.

While university professors and writers are obvious examples of humanists, the interdisciplinary field of public humanities supports the tools and spaces to incorporate a wider group of participants into this sphere. This is reflected in the work of my fellow students, who connect with community historians, schoolchildren, farmers, teenaged Civil War re-enactors, and others in sites as diverse as museums, archives, rural farms, dance studios, national parks, community art centers, neighborhood porches, and cyberspace.

Public humanities recognizes that the general public is an active creator, and not merely a consumer, of humanities. Thus, public humanities also serves as a vehicle for civic engagement for all members of a community. As Thomas Ehrlich writes in Civic Responsibility and Higher Education, “Civic engagement means working to make a difference in the civic life of our communities and developing the combination of knowledge, skills, values and motivation to make that difference. It means promoting the quality of life in a community, through both political and non-political processes.”

My summer internship gave me many opportunities to promote the “knowledge, skills, values, and motivation” for civic engagement through the humanities. Processing the Mary Park Washington Papers and creating the collection finding aid allowed me to provide access to Washington’s vast knowledge of African American art and artists, her process as an artist commenting on history and society, and the documentation of her civic engagement as an arts educator and advocate.

I also launched social media initiatives for the Archives Division, creating a Twitter account and this blog, and expanding the Archives’ presence on Facebook. In addition to providing a forum for sharing our collections, social media helps us communicate with our users and donors, allowing us to learn about their priorities, knowledge, and needs. One example was the post on behalf of Dr. Barbara McCaskill, seeking community knowledge about photographer J. Richardson Jones. Social media also helps potential donors (maybe you!) see the far-reaching impact of archives and the importance of donating their papers to an institution such as AARL.

Thanks to the AARL’s collaborative relationship with cultural heritage and humanities organizations in Atlanta, I was also able to work on a special project for the Georgia Humanities Council, in support of their initiative to promote civic reflection on issues of race. Last year, the GHC organized a town hall meeting for the initiative, demonstrating how ordinary people can use their knowledge of morality, history, and philosophy to reflect on ways to improve their communities. Using the insights raised in this town hall meeting as well as my knowledge of Atlanta’s history gained from working in AARL’s Archives Division, I formulated discussion questions and a reading list that will hopefully help stimulate similar discussions in community groups across Georgia.

The interconnectedness of the Archives Division’s staff, collections, donors, collaborators and community of users invigorates the humanities and promotes civic engagement. My internship reinforced the power of archives to help the public use, build upon, and share diverse forms of cultural knowledge in order to improve community life. Janice Sikes-Rogers, an AARL librarian, calls this process “activating the cultural footprint.” How do you see the Archives Division as your partner in activating the cultural footprint?

Posted by Krystal Appiah, Brown University